https://www.stephrichards.com/home daily 0.75 2021-03-19 https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610316376370-52598O0ZIW5BCCI6KEW3/Steph+Richards+%40Chriss+Weiss+Photography Home (photo by Chris Weiss) https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610065594992-PLTFO8M2VXC3DO0CDIRI/SUPERSENSE-lp-redvinyl.jpg Home - SUPERSENSE “ innately adventurous ****” —Downbeat “Steph Richards is a virtuoso of otherworldly trumpet sound“- Jazz Times “manipulated, reactionary, explorative, cryptic, unbridled —is beyond not being captivated by.” — All About Jazz ”beautiful, compelling and strange…an impressive statement ****1/2 — Free Jazz Collective “ an emerging maestro of extended technique…think of Richards as extending the techniques of artistic interaction, creating a way for audiences and performers to share space from afar. “ — New York Times "exploratory, inventive, marvellous." -Backseat Mafia (UK) https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610316812806-JX0SQHYYCCLLRJ2WSYP6/DSC_0079.JPG Home “I was thinking about how much information you get from a live performance that you just can't get by listening to something digitally,” says Richards, alluding to how that rich experience gets literally and figuratively compressed by contemporary distribution — not just its soundwaves, but the feel, look and in the case of SUPERSENSE, smell of where it’s being performed. “What if I could create an experience where listeners felt even closer to the music by involving their other senses?” Having worked with both pioneering experimentalists like Butch Morris, Anthony Braxton and Henry Threadgill and more pop-oriented innovators like St. Vincent and Yoko Ono, Richards has pursued abstract, visceral expression via a variety of musical modes — but scent offered a new pathway to intuitive immediacy, a way to prompt herself and her collaborators that avoided language and representation completely. So with Raspet’s help, she crafted the album’s scents and compositions simultaneously, writing his concoctions into her score: As they played, the musicians would be directed to open numbered boxes containing scents that they would then respond to with improvisation. https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610316719850-J2C1WZOCY4F2436EMVJG/DSC_0073.JPG Home As one of the most exciting artists working in jazz’s avant-garde Steph Richards is no stranger to challenging listeners’ expectations, helping them hear things they might not have previously imagined with experiments that range from playing underwater to incorporating a carousel into one of her compositions. But the trumpeter, composer and bandleader is pushing in a still more unusual direction on her upcoming release SUPERSENSE (out October 23 on Northern Spy). Along with a trio of fellow all-star improvisers — Jason Moran, Stomu Takeishi and Kenny Wolleson — Richards tapped acclaimed multimedia artist Sean Raspet to create singular, abstract scents to both inform and accompany the recording. https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610316903821-S8RIS35MUOPT3YXYHBJL/DSC_0053.JPG Home “They challenge our idea of what is beautiful,” Richards explains — one of her own favorite scents, for example, was of cricket exoskeletons. “They’re weird, complex auras you can't put your finger on — some of them make you feel uneasy, some make you feel clean, some make you feel dirty.” Fittingly, the ensemble explores a wide range of unorthodox sounds and textures. Moran offers some piano preparations, Wolleson brought a vanful of homemade percussion to the session, and Richards altered her already dynamic sound with a range of mutes and even playing underwater. Raspet then listened to the record, and tweaked the scents to better accompany the music. His creations, presented on a scratch and sniff card, will accompany physical copies of the record so that listeners can get the full experience, taking in the smells as they hear each track. Though Richards had hoped to present the album’s full multisensory experience via live performance, its mission — to bring some of the tactile feeling of concert-going to the at-home listener — has rarely been more relevant than during the COVID-19 pandemic, when intimate shows seem all but impossible. She hopes that by playing to more than one sense, listeners will be drawn into the music more fully. “It's really mean to live in abstract wordless space,” she concludes. “One where we’re not exactly able to define where we're traveling and what we're feeling, but where we can just be swept away by sensation.” https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1569015467065-PDM1WP5U3U1L7DZDK98J/SR-TTNL-03-1400.jpg Home - Take The Neon Lights “Boldly inventive” —New York Times “A magnetic audio experience..” All About Jazz “Astonishing…simply superb” —Free Jazz Collective https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610647120337-5K2V46WOQ1AL81GQTCV1/PRINT-0704___.jpg Home After her "spellbinding" (NPR) 2018 debut record celebrated by the New York Times as a "bold pronouncement" last year, comes Take The Neon Lights, a series of original works named from poems by icons Langston Hughes, Maya Angelou, Jack Kerouac, Allen Ginsberg and others, all using NYC as a backdrop. Take the Neon Lights explores a spontaneous prose of grit and brilliance; the ugly beauty of NYC. Featuring Brooklyn scene mainstays James Carney on piano, Sam Minaie on bass and Andrew Munsey on drums. "Mesmerising...fans of avant-garde jazz should definitely give this one a listen" --NextBop “The music’s sense of scale truly lives up to the title…” -- Downbeat released March 1, 2019 on Birdwatcher Records https://www.stephrichards.com/contact daily 0.75 2024-02-14 https://www.stephrichards.com/about daily 1.0 2025-08-20 https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1569017991772-4MY8G5VKYC7VSKZ4AGDW/SFR%2BLive.jpg About - “A rising force in avant-garde jazz…a virtuoso of otherworldy sound” (Jazz Times) Hailed by The New York Times as “boldly inventive” and Jazz Times as “a virtuoso of otherworldly sound,” trumpeter and experimental composer Steph Richards bridges jazz and creative music with multimedia performance, integrating electronics, choreography, film, and even scent into groundbreaking projects presented at premier venues and festivals worldwide. These include Lincoln Center, the Blue Note, Walt Disney Concert Hall, the Metropolitan Museum of Art, National Sawdust, the Guggenheim, the Park Avenue Armory, the Barbican (UK), Berliner Konzerthaus (Germany), and Bimhuis (Netherlands). Richards has collaborated with some of the most influential figures in creative music and art, with recordings ranging from work with Henry Threadgill, Anthony Davis, Anthony Braxton and Jason Moran to Yoko Ono, Laurie Anderson and David Byrne. A founding member of Bang on a Can’s Asphalt Orchestra, she also performs with leading new music and improvisation ensembles such as the International Contemporary Ensemble and Braxton’s Tricentric Orchestra. As a recording artist, Richards has released five acclaimed solo albums—including Supersense (2019), which combined music with custom scent art, and Zephyr (2021)—both awarded multiple “Best of the Year” distinctions and earning recognition from The New York Times, DownBeat, Jazz Times, and NPR. Her work as an improviser, composer, and conductor of experimental ensembles continues to expand the language of contemporary music on an international scale. Building on her formative work with “Conduction” innovator Butch Morris, Richards has become a leading voice in this practice. Since his passing, she has developed the approach through her own projects, leading ensembles and orchestras worldwide—including Mexico’s Orquesta Academia Cervantina (Guanajuato) and Ensemble Semana de Improvisación (Ensenada), as well as groups in Colombia, Luxembourg, and the United States, including Phantom Station (San Diego), Royal Room Collective (Seattle), and Listen/Space Ensemble (Park City, UT)—continually expanding the possibilities of collective, experimental music-making. Originally from Canada, Richards has spent much of her career cultivating a presence in NYC and the West Coast. Richards has championed artistic diversity as Executive Producer and Vice President of the Festival of New Trumpet (FONT) in New York City and Font West in San Diego. She holds degrees from the Eastman School of Music (where she was awarded the prestigious Performer’s Certificate), McGill University and the California Institute of the Arts (CalArts). She has served on the faculty of the Chosen Vale Center for Advanced Musical Studies alongside Hakan Hardenberger, the Banff Centre for Jazz & Creative Music Workshop alongside Vijay Iyer and Tyshawn Sorey, and as Professor at the University of California, San Diego. She recently joined the faculty at the University of Washington, Seattle, where she continues to foster interdisciplinary creative making. Richards is a Yamaha Performing Artist. NPR’s Fresh Air critic Kevin Whitehead writes: “Listening through Steph’s music can feel like scrolling through an extravagant special effects library, one uniquely attuned to the human condition as well as the remarkable expanse of music that makes up avant-garde and experimental jazz. Sounding like everything from a synthesized Louis Armstrong to whales barking at the moon, Steph has created a sonic palette contoured perfectly to the bands she leads, as well as the internationally renowned artists she collaborates with.” Booking inquiries contact AKAMU Productions: alberto@akamu.net https://www.stephrichards.com/supersense-liner-notes-booklet daily 0.75 2021-01-09 https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610227352879-1D12MVF8QABO8X5U8THL/SUPERSENSE-lp-back.jpg Supersense Liner Notes Booklet Evolution is exactly what the improvising trumpeter, composer, and bandleader Steph Richards has in mind in her newest project, SUPERSENSE, created in collaboration with Sean Raspet, an artist who works in flavor and fragrance. Raspet’s art, rooted in chemistry and philosophy, engages human perception on multiple levels. Richards, a creator whose musical practice has incorporated elements of vision and motion, sought a new physical dimension in these compositions, exploring how scent perception may transform musical output and the listening experience. “Much like music, I believe that scent art is a performative one: scents and music must be performed to exist,” Richards wrote. “I believe that the act of smelling is the performance of perfume, the act of hearing is the performance of music. I also believe that the powerful olfactory sense can trigger improvising musicians to take their music in new and important directions, and deepen our global connection to music in the moment.” https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610226703755-8CKTN0L6RNJY57K5CWP2/SS-scent-insert-02-A-outlined.jpg Supersense Liner Notes Booklet - Defining precisely what music is can be a thankless task, but one thing pretty much everyone might agree upon is that it fundamentally is an auditory phenomenon. Still, our appreciation of music also taps into a wider world of senses all the time, metaphorically speaking. We perceive visual cues, registering music as bright or murky, red-hot or bluesy; painters and sculptors routinely attempt to render music in oil or steel, while musicians employ lighting effects to enhance their aural creations. We allude to our sense of taste when describing some especially pleasing concord or piquant gesture. We employ aspects of touch when perceiving music as hard or soft. Auditory phenomena can convey musical intent: we literally feel high notes deep inside our ears, while bass drops rumble and punch our guts palpably. Olfactory input seems slight by comparison, apart from scents associated with the places where music is made, the people inhabiting those places, and the activities of those people: eating, smoking, sweating. (There also is that well-worn metaphorical marker of quality: this stinks.) But biological research indicates that sound and smell are cross-wired at a primal level in humans, suggesting elemental imperatives that modern humans have evolved beyond. https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610226871437-7AQON5HERFO3LKE6UNN6/SS-scent-insert-02-B-outlined.jpg Supersense Liner Notes Booklet Richards, whose past collaborators include Anthony Braxton, David Byrne, Yoko Ono, Kanye West, and Henry Threadgill, is no stranger to evolutionary notions. For SUPERSENSE, she enlisted a first-call team of similarly versatile colleagues. Occupying the piano bench is Jason Moran, a MacArthur fellow whose creative output encompasses music, visual art, video, and more. Bass guitarist Stomu Takeishi has provided supple, sinuous support to artists like Henry Threadgill, Paul Motian, and Myra Melford; drummer and percussionist Kenny Wollesen, a veteran of countless John Zorn projects, has also worked alongside Tom Waits, Sean Lennon, and Bill Frisell. With Raspet signed on to participate, Richards incorporated scent cues into the scores she wrote for her quartet, and had the musicians answer to olfactory prompts during the recording. In live performances, she intends to have the scents diffused into the concert space, so that audiences can perceive and interpret the smells. And in this present recording, Richards has arranged to integrate Raspet’s contributions through scratch-and-sniff ink. https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1610227131652-N7VOFJUX768SAPS9DGHL/DSC_0109+copy.JPG Supersense Liner Notes Booklet Richards is privy to the secret ingredients that went into the blending of each fragrance and odor involved in SUPERSENSE—but she’s not telling. As you listen, you might ask yourself: Does the title track’s subtle aroma correspond with the fitfully slinky beat and chameleonic mood swings? Does the fruity aroma of “Canopy” line up with Richards’s gnarled figurations, and her band’s tension-and-release backing? What olfactory elements conspired to provoke the rasp and gleam of “Metal Mouth”? Richards notes that some scents were designed as inspirational prompts, and others functioned like conversational counterpoint. Resist the urge to imagine literal correspondence, she suggests, and instead let your senses be saturated by an ensemble of scent and sound. Your response is a matter of individual interpretation. But what’s certain is that Richards – like all explorers involved in evolutionary change – has conceived a provocative thesis, assembled a team of collaborators amply endowed with creativity and curiosity, and achieved results that are certain to spark contemplation and conversation. That the music on SUPERSENSE works beautifully on its own comes as no surprise, given its participants. But here, the satisfaction perceived by the ear is matched by the novel adventure of being led around by the nose. Breathe deeply, and allow your mind to wander. https://www.stephrichards.com/photo daily 0.75 2021-03-25 https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1616699476477-03ZG9NJ3NVF4PPKRK8F2/Chris+Weiss-PRINT-1039.jpg logo image photo by Chris Weiss https://www.stephrichards.com/mcgill daily 0.75 2021-03-09 https://www.stephrichards.com/turquoise-moon-1 daily 0.75 2021-03-25 https://www.stephrichards.com/upcoming-shows daily 0.75 2021-12-13 https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1632239429990-ROYN4HJGWITZZOBDZZFP/HQ+cover+RPR1132_3000x3000_20210621.jpeg Shows - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5d8447aa7f87bc5278738df5/1632239394216-X6H8KBPXHMBVG48CKVSG/SS-E.jpg Shows - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.stephrichards.com/work-examples daily 0.75 2023-09-29 https://www.stephrichards.com/the-distance-between-us-1 daily 0.75 2025-05-09 https://www.stephrichards.com/that-was-then-v1 daily 0.75 2025-05-09 https://www.stephrichards.com/mcgill-audiovisual-samples daily 0.75 2021-03-08 https://www.stephrichards.com/mcgill-audiovisual-samples/project-six-htsrs monthly 0.5 2025-02-27 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847359798-BCTJTJAS19PV54HL6VPM/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Six https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847359057-HKZQQP8MCEM0UI23R57B/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Six https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847357814-SZ205VXUQGAN268M8A18/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Six https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847356915-2V61708SR7M0A8IBEJLE/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Six https://www.stephrichards.com/mcgill-audiovisual-samples/project-five-tfcj3 monthly 0.5 2025-02-27 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847351213-Z61O7XETZM827W8NSG74/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Five https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847350665-9UOIWAR5X24UBW83TJJO/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Five https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847350097-XM9U6QFAY9KBBLO1AZSP/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Five https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847349536-9B5S5JDU6CTTOIHYQPE7/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Five https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847349032-KE99W4O3PP9147GHRC10/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Five https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847348472-8QESU05NL485EPY8X8XO/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Five https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847347954-P3IYHJRVJDA9HIJAOIYW/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Five https://www.stephrichards.com/mcgill-audiovisual-samples/project-four-gbtdf monthly 0.5 2025-02-27 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847904251-HVHUK3T1H2QCY05DRHU3/image-asset.jpeg McGill Audio/Visual Samples - Project Four - Make it stand out. It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847904480-AXE2TZ6WH1YWOYJELYQQ/image-asset.jpeg McGill Audio/Visual Samples - Project Four - Make it stand out. It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847904674-UXDT58LZUDAEN1C4LIKQ/image-asset.jpeg McGill Audio/Visual Samples - Project Four - Make it stand out. It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference. https://www.stephrichards.com/mcgill-audiovisual-samples/project-three-nwejr monthly 0.5 2025-02-27 https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847346453-9Q5OWQYQKLUYSEI8HTQ9/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Three https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847347374-LRJZY9Z3THYAKKDMSW3J/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Three https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847345694-G1GWR6PECV9YV30U4V72/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Three https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847344987-MHQ4KNDFGIGPTF2COZ6C/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - Project Three https://images.squarespace-cdn.com/content/v1/5ec321c2af33de48734cc929/1589847343867-0L1OZAUWGMWQRU45XVH0/20140301_Trade-151_0124-copy.jpg McGill Audio/Visual Samples - 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